Francesco Sossai’s dazzling sophomore feature is many things at once: a road movie, a casual caper, a tribute to a vanishing industrial Italy, a scruffy intergenerational odyssey, and free-flowing bender through time and space.

An opaque journey through the Georgian countryside, Alexandre Koberidze's latest film is a remarkable exploration of absence, as a father traces a path through villages and football fields in search of his missing daughter.

On Vancouver Island in the late 1990s eight-year-old Sasha and her Hungarian immigrant family attempt to build a new life, only to be destabilised by the increasingly dangerous behaviour of her older brother, Jeremy.

The latest film from Karim Aïnouz is an outrageous satire on the absurdity of the patriarchal family.

The River Douro in Porto is the area of Portuguese maritime territory with the highest number of suicides by jumping. Gastão has dedicated his life to recovering these bodies, not to try to save them, but to return them to their families, who can only move on once they have been recovered.

The Synthetic Sincerity Lab based at the University of Southern England are trying to create authentic AI characters as part of a new research project. The head of the lab Professor SonG, licences the films of Marc Isaacs' to better understand what his AI characters are lacking and, in turn, agrees the Filmmaker can document their working process.

A subtle meditation on memory and performance, Hong Sangsoo's latest film unfolds through a series of increasingly intimate conversations, as he continues his exploration of the boundaries between lived experience and artistic creation.

Having framed his first two features as seaside holiday films, Rozier used the third, The Castaways of Turtle Island, to mock the tourist industry in a hilarious comic send-up that could only have emerged from Rozier’s puckish imagination.

Sumitra Peries' groundbreaking Sri Lankan film offers a tender and transporting journey through young dreams and first loves.