Julian Radlmaier's fifth feature brings together an East German waitress with a broken heart and an Iranian YouTuber with a broken arm, in an enigmatic comedy about the ghosts of the past and the mysteries of the present.

For more than two decades, Rita Azevedo Gomes has quietly forged and reshaped an unmistakable cinema, rooted in literature, theatre, music and art history, and unfolding with a rare attentiveness to language, performance, and the spaces that open between them, and moving always with deliberate strangeness and clarity.