A showcase of contemporary Portuguese cinema from independent film production unit TERRATREME.

A season dedicated to the work of avant-garde Ukrainian documentarian Sergei Loznitsa.

Your chance to discover the Oscar winners of the future, the most thrilling new talent from across the globe and beautifully restored treasures from the archives.

The London Korean Film Festival (LKFF) is the UK’s leading showcase of Korean cinema, and one of the world’s largest festivals dedicated to a national cinema.

Loretta Fahrenholz’s dystopian Two A.M. is a hallucinogenic tale of coercion, control and peer-to-peer surveillance, set on the fringes of contemporary Berlin 

Kim Ki-young’s renowned supernatural horror from 1977 has been hailed as the most bizarre Korean film of all time.

The debut feature from Seoul-born film director and artist Shim Hyejung about a family in crisis.

A newly restored version of Goryeojang (1963) released to celebrate the centenary of director Kim Ki-young’s birth.

Banned upon its release in 1990 and now digitally restored, Chang Younhyun’s The Night Before the Strike depicts the struggles of factory workers against their hostile employers.

Europe’s largest military base on the outskirts of Lisbon is the focus of this reflective documentary by director Tiago Hespanha.

To celebrate the release of Joanna Hogg’s latest film The Souvenir, the ICA screens Archipelago, the director’s darkly comic deconstruction of upper-middle-class sensibilities.

Adele Tulli’s Normal playfully exposes the spectacle of gender in our everyday lives.

Adele Tulli’s Normal playfully exposes the spectacle of gender in our everyday lives.

A cinematic reverie on the beauty of the night sky as experienced in the Atacama Desert, Chile.

Forty years after its original release, the ICA screens Apocalypse Now Final Cut, a never-before-seen and newly restored cut of Coppola’s spectacular cinematic masterpiece.

A cinematic reverie on the beauty of the night sky as experienced in the Atacama Desert, Chile.

A screening of Cheryl Dunye’s recently restored The Watermelon Woman alongside I am Micro by Shumona Goel and Shai Heredia.

Spanish director Carmen Bellas’ debut feature is an imagined conversation between the film’s narrator and the neighbourhood of San Cristóbal on the outskirts of Madrid.

Over 800 minutes long and a decade in the making, Argentinian filmmaker Mariano Llinás’ La Flor defies cinematic convention.

Over 800 minutes long and a decade in the making, Argentinian filmmaker Mariano Llinás’ La Flor defies cinematic convention.

A documentary which revisits the failed Soviet coup of August 1991.

Over 800 minutes long and a decade in the making, Argentinian filmmaker Mariano Llinás’ La Flor defies cinematic convention.

From one of Britain’s most unique filmmakers, a deeply personal and beautifully crafted portrait of self-discovery.

Sergei Loznitsa’s found footage documentary is comprised of researched and restored archival material from one of Joseph Stalin's first show-trials.

An observational record of the annual Victory Day celebrations held at the Soviet War Memorial in Berlin’s Treptower Park.

Inspired by W.G. Sebald’s 2001 novel of the same name, this disquieting documentary explores the tourist industry established around Germany’s former concentration camps.

Forty years after its original release, the ICA screens Apocalypse Now Final Cut, a never-before-seen and newly restored cut of Coppola’s spectacular cinematic masterpiece.

In Benjamin Naishtat's Rojo an argument with a mysterious stranger escalates with drastic consequences.

Filmed in black and white on a 16mm Bolex, Bait is a unique, genre-defying new feature from British writer-director Mark Jenkin.

Pedro Almodóvar’s latest feature is a metafictional reflection on art, memory, love and family, seen through the perspective of an ageing film director.