A workshop focusing on the oration of ancestral narratives and exercises in writing self-reflexively about others subjectivities.
An opportunity to publicly discuss the Gaze project, which queries the site where epidermis, vision, and apparatus meet.
This event explores the possibilities of a critical art geography, examining 'decolonial options' such as those described by Rolando Vázquez and Walther Mignolo.
The Vietnamese-born writer, theorist, composer and filmmaker speaks about her practice in moving image at the intersection of politics, ethics and creativity.
Breaking open traditional narrative conventions in favour of what Trinh describes as a denaturalized space of acting, this film sets up intersections between reality, memory and dream zones.
A rumination on friendship and loss as a series of vistas through a train’s windows, alongside the hopes and memories of the journey’s companions, from youth to old age.
An exploration of time and memory in relation to 'the image' and the role of technology in shaping our vision of the digital age
An intricate layering of Chinese popular songs and classical music, the sayings of Mao and Confucius, women’s voices and the words of artists, philosophers and other cultural workers that reflect on the events in Tiananmen Square, 1989.
An exploration of the rhythms of life in the rural villages of six West African countries.