The first Mongolian film to ever play in official selection at Cannes, writer/director Zoljargal Purevdash’s beautifully photographed debut feature is a hope-filled coming-of-age drama about resilience and determination against the odds.

Urban ambitions clash with nature in a quiet village near Tokyo in this eco-fable from the Oscar and BAFTA-winning director Ryusuke Hamaguchi.

The Oscar-nominated feature from German writer-director İlker Çatak’s is a brilliantly observed drama, which expertly explores the fault lines of contemporary society.

Grandma’s Grammar traces the persistence of the figure of the grandmother as locus of feminist historicity in non-fiction film, considering the grandmother as cinematic medium and privileged subject for modelling alternative modes of storytelling, inter-generational genealogies, and archives of memory and lived experience.

Never one to shy away from controversial subject matter, the veteran Italian filmmaker Marco Bellocchio (Fists in the Pocket, The Conviction) here brings to life an unbelievable true story lifted from the pages of a shocking and horrifying history.

This programme curated by Jessica Sarah Rinland explores the work of Argentine filmmaker Narcisa Hirsch.

This magic realist film is a tale of family, relationships, suspicion and belonging. It navigates the thin layer between reality and sorcery to weave a distinct, deeply impressionistic aesthetic.

A film about the American Left in the 1970s and the afterlives of political activism, a sprawling epic that interweaves the lives of numerous characters - hippies, farmers, immigrants, Native Americans and activists - as they navigate the complexities of American life.