To close this survey of the cinema of Salomé Lamas, the ICA presents two works from the Portuguese artist and filmmaker made in 2018, each exploring and creating space in peculiar, abstract, yet politically charged ways.
In an audio-visual piece designed for La Biennale di Venezia – Architettura, Lamas occasionally abstracts the shapes, creating ambiguous spaces on silent architectures.
Mediating between dreamlike echoes of the Soviet past and Kolya's politically charged encounters in the present, the film slowly builds an associative, non-linear story of a landscape in which the borders between past and present remain unsettled.
no. 236848.