By presenting and selling art within this new space, the collective attempt to raise sufficient finances to buy back their land from international plantation companies – and secure it for future generations. From the violence of the plantation system to the aesthetics of the gallery, this multi-layered and fascinating film posits that galleries and museums can only become decolonised and inclusive if the benefits accrued from them flow back to the workers whose labour financed – in some cases, continue to finance – their foundations.

Screening alongside Martens’ new film White Cube is his first provocative film Episode 1 as well as his poignant work Episode 3. 

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