We’re introducing Night Mode … Try it out with the sun/moon icon at the top left. Or change font settings with the ‘A’ to make the site work for you.
Got it
The ICA will be on general strike on Fri 20 Oct. Read more
0 / 256
Portraits from an Other Germany: The Early Films of Helke Misselwitz
Institute of Contemporary Arts
Saturday 24 & Sunday 25 September 2022

After Winter Comes Spring (Winter Adé), dir. Helke Misselwitz, German Democratic Republic 1988, 116 min., German with English subtitles. Image courtesy of DEFA Stiftung, Thomas Plenert.

As one of the most significant documentary filmmakers of the German Democratic Republic (GDR), Helke Misselwitz first gained national recognition within East Germany for her 1988 feature film After Winter Comes Spring. In this, as in much of her work, her sensitive and perceptive interview style creates an intimate frame through which to view the private lives of her contributors. Misselwitz tirelessly seeks out personal stories from ordinary people, an approach which occasionally brought her into conflict with film censors when these stories did not conform to official narratives. 

Her talent as an interviewer is more than matched by her technical mastery; with each stunning composition, Misselwitz reveals how individuals move through the world they inhabit, highlighting the subtleties of relations between the individual and the collective. Helke Misselwitz’s work captures the dying years of the GDR through the lens of those who lived through it, providing an extraordinary portrait from a country which no longer exists.

Helke Misselwitz will be in conversation via Zoom following the screening of After Winter Comes Spring and will introduce the History with a Human Face programme via Zoom.
This programme is curated by Emily Mason in partnership with the National Film and Television School, the Goethe-Institut London and the ICA with special thanks to Helke Misselwitz and acknowledging the support of the Deutsche Kinemathek.

Saturday 24 September 
Photographs and their ability to convey meaning appear time and time again throughout Helke Misselwitz’s work. Featuring four short films, this programme explores how our lives can be understood through fragmented images.

Sunday 25 September 
In what is considered to be her most significant film, Misselwitz undertakes a journey through East Germany by train, encountering a broad range of women along the way.