Having tried and failed to make a true crime documentary, filmmaker Charlie Shackleton tells the story of what might have been.

To Catch a Predator was a popular television show in the US designed to hunt down child predators and lure them to a film set, where they would be interviewed and  arrested. Predators explores its rise and staggering fall, and the world it helped create.

A screening of four British Armenian short films exploring identity, religion, landscape and deep memory.

A fearless, Palme d’Or winning, tour-de-force from cinematic luminary Jafar Panahi. Both urgently political and deeply humane, this new moral classic confronts truth and uncertainty, revenge and mercy, head-on.

Departing from the premise of a Cecil B. DeMille silent melodrama, Le Prestige de la mort sees Moullet play himself in a hilarious examination of the lengths a lowly filmmaker will go for recognition (and remuneration). It is here presented alongside Le Fantôme de Longstaff, an arresting adaptation of a Henry James short story that reveals a facility for melodrama rarely explored elsewhere in Moullet’s oeuvre. 

Sergio, an environmental engineer from Portugal, travels to Guinea-Bissau for an impact report. There, lonely in the heat, he encounters Diara and Guilermhe and begins to approach the post-colonial and capitalist forces shaping their lives.

In a working-class Los Angeles neighbourhood reeling from decades of violence in a forgotten corner of Venice Beach, a struggling single mum tries to steer her teenage son Freddy away from a veteran gangster who has become a father figure to him. 

Colin is a quiet parking attendant, whose steady existence is disrupted by the exploration of pleasure, dependence, and his own limits, when he enters a dominant-submissive relationship with biker Ray (Alexander Skarsgård).