Igor Bezinović weaves archive and interview to recount poet and military officer Gabriele D’Annunzio’s radical 1919 occupation of Fiume (Rijeka, Croatia), revealing the stirrings of European fascism in the wake of World War I.

Palme d’Or winner Julia Ducournau’s latest film offers a quiet revolution in genre filmmaking, borrowing from body horror, leading us through a family’s story of fear and pain, and their journey towards love. 

A fearless, Palme d’Or winning, tour-de-force from cinematic luminary Jafar Panahi. Both urgently political and deeply humane, this new moral classic confronts truth and uncertainty, revenge and mercy, head-on.

Colin is a quiet parking attendant, whose steady existence is disrupted by the exploration of pleasure, dependence, and his own limits, when he enters a dominant-submissive relationship with biker Ray (Alexander Skarsgård). 

Filmmaker Tamara Stepanyan embarks on an evocative journey through the forgotten world of Armenian cinema. Sparked by a dialogue with her father, renowned Armenian actor Vigen Stepanyan.

Sergio, an environmental engineer from Portugal, travels to Guinea-Bissau for an impact report. There, lonely in the heat, he encounters Diara and Guilermhe and begins to approach the post-colonial and capitalist forces shaping their lives.

Before beginning the production of The Colour of Pomegranates, Sergei Parajanov crafted this exquisite short, honouring nineteenth-century Armenian portraitist Hakob Hovnatanyan. Blending fragments of paintings, staged tableaux, and scenes of Tbilisi life, it stands as a poetic tribute from one visionary artist to another.