Blending heartache, humour and healing, Sorry, Baby is a bitingly-funny debut by director and actor Eva Victor.

Two married men confront unexpected experiences that challenge their views on sexuality, identity, and gender — one through a same-sex encounter, the other through transformative dreams.

Histories and fictions intertwine as Sofia Bohdanowicz concludes her Audrey Benac cycle with a captivating exploration of the life and work of Canadian violinist Kathleen Parlow.

Set in May of 2020, Ari Aster's latest film centres upon a stand-off between a small town sheriff (Joaquin Phoenix) and mayor (Pedro Pascal) which sparks a powder keg in the town of Eddington, New Mexico as neighbour is pitted against neighbour.

First-time feature filmmaker Stéphane Ly-Cuong blends a heady cocktail of musical theatre, Vietnamese cuisine and second-generation tension to create a bitter-sweet musical comedy.

The debut feature from Slovenian director Urška Djukić is a tender portrayal, sensuously shot and beautifully scored, of the sexual awakening of a young chorister. 

D.W. Griffith’s French Revolution melodrama hurtles two orphaned sisters through crowds, reversals and brink-of-death reprieves. For Serge Daney, it’s the least frivolous Hollywood vision of 1789 and a test of cinema’s power to show rather than tell—made newly legible by the film’s late-night life on French television in the late 80s.

Haunted by a tumultuous past, Vera has spent 20 years in refuge at a Belarusian monastery. Guided by her love of horses, she sets out on a path of redemption.

A haunting testament to the resilience of daily life under siege in Gaza. Captured through a filmmaker's video calls with Palestinian photojournalist Fatma Hassona, these calls act as a powerful digital lifeline to the realities of war, resistance and survival.