A shared voice with no words. Ultra Violet Neon Planet is a film documenting the cultural origins of bleep, a subgenre of house and techno developed in Sheffield, Leeds and Bradford in the late 1980's, accompanied by

Irish composer, and Professor of Composition at the University of Oxford, Jennifer Walsh discusses her new book, 13 Ways of Looking at AI, Art & Music. With a background in experimental music, she has long been interested in the ways that AI can be used to compose and improvise. The event will explore the subject in a playful, nuanced and timely way.

Two premier performances of Simeon Barclay’s The Ruin, Commissioned by the Roberts Institute of Art 

Choreographic Devices is an annual event series that activates the choreographic as a methodology for trans-disciplinary forms of inquiry and rehearsal. Bringing together protagonists from across an expanded ecology of practices, this multi-format forum speculates on and with choreographic arrangements and their complex modes of co-production. 

Since their formation in 2006, London-based Teeth Of The Sea have metamorphosed into the most adventurous psychedelic rock outfit in the UK. Don't miss their show in January, Support from Smote. 

Crack Magazine and MUBI present Underscore: Music events inspired by film. Underscore’s inaugural edition is an immersive event exploring the world of Andrea Arnold’s Bird – a tender and surprising coming-of-age fable. Carlos O’Connell of Fontaines D.C. will join us for an exclusive DJ set. Carlos will be joined by Space Afrika, the Manchester duo whose touches of industrial field recordings and inner-city texture echo the character of the film.