A series of film works by artist Rebecca Salvadori, dedicated to electronic music and the communities which ritually congregate around it.

Dan Sallitt’s powerful and intimate portrait of two young New Yorkers.

Four shorts by directors recently featured at FRAMES of REPRESENTATION: Rosa Barba, Isabel Pagliai, Camilo Restrepo and Ana Vaz.

An easygoing cowboy struggles to overcome tragedy in Helvécio Marins Jr’s poignant feature.

A fascinating and immersive portrait of post-colonial Cuba from director Hubert Sauper (Darwin’s Nightmare).

Roberto Minervini’s fifth feature-length work is a blistering meditation on the state of race in America.

Presented by writer Isabel Waidner, This isn't a Dream is a fortnightly literary chat show hosted by the ICA via Instagram live

Young Roma men trade their Bulgarian homeland for new lives as hustlers in Vienna in Patric Chiha’s captivating documentary.

Patric Chiha’s award-winning documentary explores sensuality and queer sexuality through the prism of a 15-strong touring dance company.

Spanish filmmaker Elisa Cepedal's debut long-form work observes a mining community as it negotiates the decline of the same industry that enabled its emergence.

Andrea Caccia’s latest film beautifully captures moments of daily life amid a bucolic Lombardy landscape.

Wong Kar Wai’s scintillating debut feature is a kinetic, hypercool crime thriller graced with flashes of the impressionistic, daydream visual style

Wong Kar Wai’s breakthrough feature represents the first full flowering of his swooning signature style.

The whiplash, double-pronged Chungking Express is the film that made Wong Kar Wai an instant icon.

Lost souls reach out for human connection amid a glimmering Hong Kong in Wong Kar Wai’s hallucinatory, neon-soaked nocturne.

Wong Kar Wai’s emotionally raw, lushly stylized portrait of a relationship in breakdown casts Hong Kong superstars Tony Leung and Leslie Cheung as a couple traveling through Argentina.

At once delicately mannered and visually extravagant, Wong Kar Wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments.

Wong Kar Wai’s loose sequel to In the Mood for Love combines that film’s languorous air of romantic longing with a dizzying time-hopping structure and avant-sci-fi twist.

Captioned audio of writer Sophie Lewis' lecture drawing on theories of surrogacy, gestational justice and family abolition, followed by a discussion with poet Anne Boyer.

The body is transcended by the simulacrum in Keiken and George Jasper Stone’s Feel My Metaverse.

Shot entirely at night on the corner of 125th and Lexington Avenue in Harlem, the film captures the mental, physical and spiritual struggles of the neighborhood's inhabitants.

Centred on 125th and Lexington in East Harlem, Khalik Allah’s monumental new diary film is a rich and deeply personal work.

Eitan Efrat and Daniel Mann’s cinematic essay explores the resources, the secrets and the mysteries of the ground beneath our feet.

Three episodes from artist Olivia Erlanger and Architect Luis Ortega Govela’s expansive Garage project.

A Cuban veteran searches for the ghosts of his final mission in Francisco Marise’s searching feature.

bare minimum, ICA’s collective-in-residence, presents THIS WORLD MAKES US SICK, a night of readings about illness, work, care, love and doing nothing.

An 80-year-old widow fights the construction of a dam on her treasured homeland in Lemohang Jeremiah Mosese’s powerful feature.

Panamanian filmmaker Ana Elena Tejera’s Panquiaco offers an unflinching reflection on the concept of home.

A meditative contemplation on conservation, preservation and authenticity via the fabrication of a replica elephant’s tusk.

A monumental historical essay about a family torn apart by the upheavals of the 20th century.

Consisting of a montage of archival footage, Lucas Gallo's latest work explores the media campaign by the Argentinian government claiming back the Falklands Islands from the British in 1982.

A disquieting portrait of Argentinian society that inverts the structure of a typical crime story.

A special preview of the latest work by Renzo Martens, a powerful and provocative dissection of art, class and decolonisation.

Cristi Puiu returns with a rich, considered and exquisitely orchestrated chamber drama set among the aristocracy of 19th-century Transylvania.

A domestic abuse victim seeking justice and protection comes up against heavy-handed bureaucracy in Raymund Ribay Gutierrez’s compelling debut feature.

Melina Léon tells the tragic true-life story of an indigenous Peruvian woman whose newborn baby is stolen by a fake clinic.

A captioned audio recording of artist and writer Sable Elyse Smith and author Nicole R. Fleetwood as they discuss their research into the carceral, the personal and the political.

Screening of Del LaGrace Volcano’s film Pansexual Public Porn (1997) and an interview from Marc Thompson’s youtube series The Undetectables

Francisco Márquez’s fiction debut is a gripping tale of class divisions and ethical responsibility in contemporary Argentina.

Rock documentary about musician Linn da Quebrada challenging machismo, transphobia, and racism in Brazil.

Launch of Institution as Praxis in conversation with Pujita Guha, Carolina Rito, Abhijan Toto, Farid Rakun and Bill Balaskas.

Written by Emma Thompson, Richard Laxton’s 2014 film retells the scandalous tale of writer John Ruskin, painter John Everett Millais and Ruskin’s bride, Effie Gray.

Born from the lack of diversity in art education and disappointment in art curriculums, Don’t Worry I’m Sick and Poor is a lecture series created as an essential alternative within art education.

Pia Hellenthal’s graphic debut is an audacious portrait of a professed sex worker, writer, anarchist, feminist, musician and recovering addict based in Berlin.

A sensorial homage to Radio Belgrade, Serbia’s most historic station that has broadcast continuously for the last 90 years.

Valeska Grisebach’s acclaimed 2017 film depicts the complex stakes and tensions at play within a group of German construction workers in the Bulgarian countryside.

An elephant that sits and ignores the world becomes an obsession for the protagonists of the late writer and filmmaker Hu Bo’s four-hour epic, for whom it represents the possibility of escape from the stagnation and violence of their daily lives.

French filmmaker Jonathan Rescigno’s debut feature follows various inhabitants and their stories in a former mining town.

The first programme of short films by Krzysztof Kieślowski presents a fascinating cross-section of Polish society across three works.

The ICA partners again with the Kinoteka Polish Film Festival, unfolding this year in a digital format.

Polish filmmaker Eliza Kubarska’s latest film tells the story of an encounter between a young Sherpa boy and an experienced western mountaineer at the foot of the sacred mountain.

The ICA and Kinoteka present the cycle of Krzystof Kieślowski’s Dekalog in ten parts.

This programme of two short films by Krzysztof Kieślowski continues the Polish director’s fascinating and distinct exploration of Polish society.

Swiss duo Kasa and Da Costa’s sophomore feature captures the quirky ambiance that reigns over the Ornithological Rehabilitation Center where birds in pain struggle to rediscover the desire to live. 

The philosopher and writer discusses agency, gender, dissent and subjectivity with queer theorist Jack Halberstam.

A documentary essay composed entirely of archive photographs and documents of the first big massacre of Jews in Romania.

A bizarre rite of passage at the local deli determines the fate of a generation of teenagers, leading some to escape their suburban town and dooming others to remain.

Feminist artist and activist Oksana Shachko is the subject of Alain Margot’s fascinating 2014 portrait.

Peter Parlow’s micro-budget feature is at once a hilarious send-up of low-budget American indie filmmaking and a probing inquiry into race, relationships, and the social uncanny.

A scornful teacher schools a class of newly arrived refugees in Guido Hendrikx’s unflinching film essay.

Two displaced lovers struggle to stay together in Carlos Lenin’s spellbinding debut.

An attempt via an innovative combine of aesthetics, sound design and ethnography to tell the story of migration across the Sonoran desert into the US.

Mundane life meets magical daydreams in a West Bengal village where discarded film footage is turned into toys.

In his debut feature, Thai artist and filmmaker Apichatpong Weerasethakul bridges documentary realism and the avant-garde in the backdrop of rural Thailand.

An intoxicating love song to rural Portugal, and to cinema, by award-winning Portuguese director Miguel Gomes.

Judith Abensour’s work retraces the origins of a new museum dedicated to Palestinian history, inaugurated with no exhibition in 2016.

Lech Kowalski’s film follows a group of militant French workers as they plot to blow up their factory – a social movement now recognised as one of the most successful examples of collective actions in recent years.

A collection of newly commissioned audio/visual works exploring ‘the archive’ as personal, familial, and cultural; as past, present and future-oriented.

German filmmaker Susanne Heinrich’s debut brings together pop and theory, feminism and humour, in a post-modern comedy in pink and blue.

Johanna Hedva and Patrick Staff in conversation as they inquire into the relationship between collapse and surrender.

Four shorts about the different forms of Indigenous struggle for the right to land. Rescreening online following the 1st Brazil Indigenous Film Festival.

Four films documenting and celebrating the historical, social and philosophical perspectives of Indigenous communities across Brazil.

A screening of Amani Naphtali’s play Ragamuffin. Previously screened as part of the War Inna Babylon public programme.

A London boy gains more than you’d think from a fistful of coppers.