Pia Hellenthal’s graphic debut is an audacious portrait of a professed sex worker, writer, anarchist, feminist, musician and recovering addict based in Berlin.

Written by Emma Thompson, Richard Laxton’s 2014 film retells the scandalous tale of writer John Ruskin, painter John Everett Millais and Ruskin’s bride, Effie Gray.

Born from the lack of diversity in art education and disappointment in art curriculums, Don’t Worry I’m Sick and Poor is a lecture series created as an essential alternative within art education.

Launch of Institution as Praxis in conversation with Pujita Guha, Carolina Rito, Abhijan Toto, Farid Rakun and Bill Balaskas.

Rock documentary about musician Linn da Quebrada challenging machismo, transphobia, and racism in Brazil.

Screening of Del LaGrace Volcano’s film Pansexual Public Porn (1997) and an interview from Marc Thompson’s youtube series The Undetectables

Francisco Márquez’s fiction debut is a gripping tale of class divisions and ethical responsibility in contemporary Argentina.

Melina Léon tells the tragic true-life story of an indigenous Peruvian woman whose newborn baby is stolen by a fake clinic.

A domestic abuse victim seeking justice and protection comes up against heavy-handed bureaucracy in Raymund Ribay Gutierrez’s compelling debut feature.

Cristi Puiu returns with a rich, considered and exquisitely orchestrated chamber drama set among the aristocracy of 19th-century Transylvania.

A special preview of the latest work by Renzo Martens, a powerful and provocative dissection of art, class and decolonisation.

A disquieting portrait of Argentinian society that inverts the structure of a typical crime story.

Consisting of a montage of archival footage, Lucas Gallo's latest work explores the media campaign by the Argentinian government claiming back the Falklands Islands from the British in 1982.

A monumental historical essay about a family torn apart by the upheavals of the 20th century.

A meditative contemplation on conservation, preservation and authenticity via the fabrication of a replica elephant’s tusk.

Panamanian filmmaker Ana Elena Tejera’s Panquiaco offers an unflinching reflection on the concept of home.

An 80-year-old widow fights the construction of a dam on her treasured homeland in Lemohang Jeremiah Mosese’s powerful feature.

bare minimum, ICA’s collective-in-residence, presents THIS WORLD MAKES US SICK, a night of readings about illness, work, care, love and doing nothing.

A Cuban veteran searches for the ghosts of his final mission in Francisco Marise’s searching feature.

Three episodes from artist Olivia Erlanger and Architect Luis Ortega Govela’s expansive Garage project.

Eitan Efrat and Daniel Mann’s cinematic essay explores the resources, the secrets and the mysteries of the ground beneath our feet.

Centred on 125th and Lexington in East Harlem, Khalik Allah’s monumental new diary film is a rich and deeply personal work.

Shot entirely at night on the corner of 125th and Lexington Avenue in Harlem, the film captures the mental, physical and spiritual struggles of the neighborhood's inhabitants.

The body is transcended by the simulacrum in Keiken and George Jasper Stone’s Feel My Metaverse.

Wong Kar Wai’s loose sequel to In the Mood for Love combines that film’s languorous air of romantic longing with a dizzying time-hopping structure and avant-sci-fi twist.

At once delicately mannered and visually extravagant, Wong Kar Wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments.

Wong Kar Wai’s emotionally raw, lushly stylized portrait of a relationship in breakdown casts Hong Kong superstars Tony Leung and Leslie Cheung as a couple traveling through Argentina.

Lost souls reach out for human connection amid a glimmering Hong Kong in Wong Kar Wai’s hallucinatory, neon-soaked nocturne.

A hypnotic tale of obsession, repression, and class divisions, the film is presented in this retrospective for the first time in its extended cut.

The whiplash, double-pronged Chungking Express is the film that made Wong Kar Wai an instant icon.

Wong Kar Wai’s breakthrough feature represents the first full flowering of his swooning signature style.

Wong Kar Wai’s scintillating debut feature is a kinetic, hypercool crime thriller graced with flashes of the impressionistic, daydream visual style

Andrea Caccia’s latest film beautifully captures moments of daily life amid a bucolic Lombardy landscape.

Spanish filmmaker Elisa Cepedal's debut long-form work observes a mining community as it negotiates the decline of the same industry that enabled its emergence.

Patric Chiha’s award-winning documentary explores sensuality and queer sexuality through the prism of a 15-strong touring dance company.

Young Roma men trade their Bulgarian homeland for new lives as hustlers in Vienna in Patric Chiha’s captivating documentary.

Roberto Minervini’s fifth feature-length work is a blistering meditation on the state of race in America.

Presented by writer Isabel Waidner, This isn't a Dream is a fortnightly literary chat show hosted by the ICA via Instagram live

A fascinating and immersive portrait of post-colonial Cuba from director Hubert Sauper (Darwin’s Nightmare).

An easygoing cowboy struggles to overcome tragedy in Helvécio Marins Jr’s poignant feature.

Four shorts by directors recently featured at FRAMES of REPRESENTATION: Rosa Barba, Isabel Pagliai, Camilo Restrepo and Ana Vaz.

Dan Sallitt’s powerful and intimate portrait of two young New Yorkers.

Ra’anan Alexandrowicz’s new feature is a one-of-a-kind cinematic testimony to the psychology of the viewer in our digital era.

Frank Beauvais’ extraordinary film is a personal diary, a reflection on the world and a treaty on cinema.

Éric Baudelaire’s dark, complex and suspenseful story questions the ability of film to portray and influence reality.

A series of film works by artist Rebecca Salvadori, dedicated to electronic music and the communities which ritually congregate around it.

Formats, languages, truths and fictions blend and blur in Salomé Lamas’ speculative cinematic experiment.

Workers and activists in Brazil fight inequality and injustice in Camila Freitas’ searching documentary.

The first in FRAMES of REPRESENTATION’s two short film programmes features new works from Portugal, Brazil and France.

INFERNO Summit is a day-long event featuring talks and performance to reflect on the cancellation and absence of queer nightlife.

Centred on 125th and Lexington in East Harlem, Khalik Allah’s monumental new diary film is a rich and deeply personal work.

Los conductos traces a restless man’s journey while simultaneously reflecting on the political and social landscape of Colombia.

A devotional journey into the heart of the Argentinian Puna, a bare landscape shaped by myths and ancestral forces.

On 29 November 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. To commemorate the 239th anniversary, M. NourbeSe Philip, Saidiya Hartman, and Olivia Douglass launch Zong! (Silver Press 2020), with music from Rabz Lansiquot. 

Ksenia Okhapina’s observational study of a Russian industrial town that started life as a Soviet-era labour camp.

Irina Tsilyk’s first feature tracks a Ukrainian single mother and her family as they film their lives against a backdrop of conflict.

A Slovenian minority group in a remote Hungarian village grapples with grief and mortality following the death of an elderly villager.

Panamanian filmmaker Ana Elena Tejera’s Panquiaco offers an unflinching reflection on the concept of home.

Adele Tulli’s Normal playfully exposes the spectacle of gender in our everyday lives.

From one of Britain’s most unique filmmakers, a deeply personal and beautifully crafted portrait of self-discovery.

Filmed in black and white on a 16mm Bolex, Bait is a unique, genre-defying new feature from British writer-director Mark Jenkin.

A disquieting portrait of Argentinian society that inverts the structure of a typical crime story.