Hong Sangsoo's latest film follows a young poet who, after dropping off his girlfriend at her parents' home, finds himself staying longer than expected.

A haunting testament to the resilience of daily life under siege in Gaza. Captured through a filmmaker's video calls with Palestinian photojournalist Fatma Hassona, these calls act as a powerful digital lifeline to the realities of war, resistance and survival.

Described in various contexts as both an essay film and a landscape film, Too Early/Too Late is a diptych that juxtaposes a soundtrack reciting Friedrich Engels with images of landscapes from France and Egypt, investigating themes of history, land, and class struggle.

Histories and fictions intertwine as Sofia Bohdanowicz concludes her Audrey Benac cycle with a captivating exploration of the life and work of Canadian violinist Kathleen Parlow.

One of John Ford’s most lyrical, elegiac, and narratively sparse films, She Wore a Yellow Ribbon follows a cavalry captain (John Wayne) as he grapples with the ghosts of the past during his final mission before retirement.

First-time feature filmmaker Stéphane Ly-Cuong blends a heady cocktail of musical theatre, Vietnamese cuisine and second-generation tension to create a bitter-sweet musical comedy.

The debut feature from Slovenian director Urška Djukić is a tender portrayal, sensuously shot and beautifully scored, of the sexual awakening of a young chorister. 

Haunted by a tumultuous past, Vera has spent 20 years in refuge at a Belarusian monastery. Guided by her love of horses, she sets out on a path of redemption.

Set in May of 2020, Ari Aster's latest film centres upon a stand-off between a small town sheriff (Joaquin Phoenix) and mayor (Pedro Pascal) which sparks a powder keg in the town of Eddington, New Mexico as neighbour is pitted against neighbour.

Blending heartache, humour and healing, Sorry, Baby is a bitingly-funny debut by director and actor Eva Victor.