In Athina Rachel Tsangari's hallucinatory new film, a village with no name, in an undefined time and place, disappears. Townsman-turned-farmer Walter Thirsk and befuddled lord of the manor Charles Kent are childhood friends about to face an invasion from the outside world: the trauma of modernity.

In this intensely personal work, David Cronenberg crafts a genre-bending tale that slips between mystery and romance, all the while echoing his signature themes: the body as mutable flesh, technology as both saviour and parasite, and the uncanny union of sex and death.

An essayistic exploration into the lasting ecological consequences of Belgium’s colonial rule in the Democratic Republic of the Congo.

Drawing from a great tradition of romantic comedies, in particular Leo McCarey's The Awful Truth, Jonás Trueba's latest film is a playfully reflexive and sparkling exploration of love, conversation and cinema.

A landmark in Latin American video art and experimental cinema, Sarah Minter's raw hybrid of documentary and fiction captures the lives of the Mierdas Punks, a rebellious youth gang on the outskirts of Mexico City. Preceded by Sarah Minter and Gregorio Rocha's dystopian short film Sabado de mierda.

Filled with the warm tropical light and lush greens of Martinique, shot on 16mm, multidisciplinary artist and filmmaker Madeleine Hunt-Ehrlich’s intoxicating feature debut imagines the life of Martinican writer and activist Suzanne Césaire.

Domingos and Neusia are a young couple from a small city in Mozambique. She goes to school, he has an underpaid job at a car wash. Yearning for a better life, Domingos sets on a journey through Mozambique, heading to the gold mines in the north of the country.