A urgent documentary chronicling the Columbia University Gaza Solidarity Encampments that began in April 2024. 

Yeong-gyeong and Su-hwan meet at a wedding party. He carries her home after she passes out drunk. Kang Mi-ja's Spring Night is a stark and graceful depiction of a doomed kinship. 

The light breaks on a long summer’s day in Iceland. From one sunset to another, Una, a young art student encounters love, friendship, sorrow and beauty.

A poetic exploration of Eileen Gray’s life and visionary design, unveiling the story behind her iconic modernist house, a record of art and resilience by the sea.

Assembled from footage shot over a span of more than twenty years, Jia Zhangke crafts a boundless story of enduring but fragile love, anchored by the eternally captivating presence of Zhao Tao.

Cinema-ye Azad, or Free Cinema, was an underground movement of filmmakers in Iran that began in 1969, with the explicit aim of creating a fully independent cinema. This programme brings together two films which represent the range of sensibilities and approaches encompassed within Cinema-ye Azad.

Through an intimate reconstruction of an important phone call, Iva Radivojević’s evocative film investigates dislocation and the nature of remembering. 

An insight into the private estate of Leni Riefenstahl, who became world-famous with her Nazi propaganda film Triumph of the Will, but continually denied any closer ties to the regime.

Benicio del Toro is Zsa-zsa Korda, one of the richest men in Europe, in Wes Anderson's latest, a story of a family and a family business.