Alisa Oleva is a multidisciplinary artist using performance strategies to explore everyday movement scores and collective walking practices. She works with the alternative audio guides for galleries and urban spaces, choreographies of the everyday movement in public spaces, urban choreographies, choreographies of tourist groups, the way the city moves us and how we move it. She is currently one of 12 artists part of the Another Route international fellowship at ArtsAdmin, London, and previously presented her work Walking Home at Performistanbul in Istanbul, Turkey (2020), Chisenhale Dance, and LADA.

CHA X5 are an arts collective based in Nottingham and London, currently composed of Rohanne Udall and Paul Paschal. They have been trying to make interesting things happen (performances, publications, workshops, exhibitions, radio broadcasts, etc.) since 2013. Sometimes they set up their own things and sometimes they work with institutions (David Roberts Art Foundation, Siobhan Davies Studios, LADA, PACT Zollverein, Iniva, Primary, Sadlers Wells Theatre, etc.). They are currently interested in: acting, bookmaking, demons, holding office, hosting, moral rhetoric, overcare, poetry, ugly feeling.

Harun Morrison is an artist and writer based in London and currently an associate artist with Greenpeace UK. His forthcoming novel The Escape Artist will be published by Book Works in 2024. Harun has recently staged the performance Nothing Special at Centrale Fies at MAXXI, Rome. He is currently exhibiting Dolphin Head Mountain alongside a new performance work, Defences of Animals, at the Horniman Museum. Harun continues to develop a garden for Mind Sheffield, a mental health support service, as part of the Art Catalyst research programme Emergent Ecologies and circulate the publication Environmental Justice Questions.

Melissa Bentley is Visitor Research Manager at the Victoria and Albert Museum, South Kensington. Melissa has over 15 years’ experience working in culture, heritage and visitor research. She has worked at the V&A for over 10 years as the visitor research manager. She manages day-to-day data collection and reporting as well managing large-scale, multi-year evaluation projects through all stages of capital and learning projects. She combines this part-time role with freelance consultancy focussing on evaluation and data analysis. She is a member of the Visitor Studies Group.

Sara Ruddock is a Swedish, London-based artist working with dance and choreography as vibrational and relational practices. Since 2002, she has created and performed solo works and collaborative projects with artists from sound/music, performance and visual arts. As a dancer, Sara worked with a range of choreographers including Deborah Hay (US), Lena Josefsson/Kompani Raande-Vo (SWE) and Jules Cunningham (UK). As an educator, she has taught extensively at DOCH/Stockholm University of the Arts, Trinity Laban Conservatoire of Music and Dance, and independent workshops and classes internationally. She is currently a PhD candidate at University of Roehampton, researching listening as embodied and relational practice, specifically through notions of resonance and resistance in dancing and sounding.