We’re introducing Night Mode … Try it out with the sun/moon icon at the top left. Or change font settings with the ‘A’ to make the site work for you.
Got it
ICA is closed from the 30 May – 2 June inclusive.
0 / 256
Donald Cammell’s Wild Side on 35mm
Institute of Contemporary Arts
A man lit in bright orange light calls on an old phone
Wild Side, dir. Donald Cammell, USA 1995 / 2000, 115 min (Director’s Cut), English, 18

The perfect companion piece to Performance, Donald Cammell’s swan song is an edgy unpredictable pulp noir centred around crime, money, sex, power games and four outstanding acting performances.

Bruno (Christopher Walken), the world’s most notorious money launderer, is being set up for a sting by undercover agent Tony (Steven Bauer) posing as his chauffeur. When Alex (Anne Heche), an international banker moonlighting as a call girl enters Bruno’s world, both Bruno and Tony see opportunity – as does Bruno’s estranged wife Virgina (Joan Chen). Masquerading as a crime thriller, Cammell’s final film shifts unpredictably between hard-bitten drama, sensuous lesbian love story and absurd black comedy to deliver an incendiary mix of mind games, sexual liaisons and ever-shifting loyalties as the four characters navigate an increasingly complex and irrelevant plot. The performances, particularly Walken’s as the nervy, eccentric Bruno are larger than life, and Heche, the emotional centre of the film, is outstanding as the intermittently tough, vulnerable, and uncertain Alex. On its UK release in June 2000, The Guardian’s Peter Bradshaw wrote, ‘an original and exhilarating thriller, capriciously intelligent, with experimentalism and verve…an arresting work from an important and distinctive director.’

Re-edited against his wishes by its American producers Cammell removed his name from the project and shortly after committed suicide, but a posthumous ‘director’s cut’ adding more than twenty minutes of material and restoring Cammell’s original vision was produced by Tartan Films in the UK screening to enthusiastic reviews. Thought to be lost, two 35mm prints of this director’s cut were recently uncovered, and this screening – the first for more than two decades – is from one of these two surviving prints.
Presented in partnership with Geoffrey M. Badger and Lost Reels with special thanks to The Cinema Museum.
06:30 pm
Thu, 31 Aug 2023
Cinema 1

All films are ad-free and 18+ unless otherwise stated, and start with a 10 min. curated selection of trailers.

Red Members gain unlimited access to all exhibitions, films, talks, performances and Cinema 3.
Join today for £20/month.