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The Machine That Kills Bad People:
Christmas at Moose Factory + Bloody Beans
Institute of Contemporary Arts
Bloody Beans, dir. by Narimane Mari, Algeria/France 2013, 77 mins., French, Arabic with English subtitles 

Book tickets

This iteration of The Machine that Kills Bad People features two films with children as their protagonists and collaborators. 
 
Set over a single day, and shot on the heels of 50th anniversary of Algerian independence, Bloody Beans follows a group of children whose beachside antics turn into a surreal restaging of the War of Independence. Fed up with their humiliating diet of the titular beans, they storm a colonial barracks, abduct a French soldier and journey into the hallucinatory night. Working closely with 20-odd pre-teens from the Bab el Oued district of Algiers, Narimane Mari’s debut feature blends historical fiction and collective performance to powerful, exhilarating effect.
 
Christmas at Moose factory marked the directorial debut of legendary Abenaki director Alanis Obomsawin. Filmed at a residential school in northern Ontario, the film is composed entirely of drawings by young Cree children with stories told by the children themselves. Listening has been at the core of Obomsawin’s practice since the very beginning. “Documentary film,” she said in a 2017 interview, “is the one place that our people can speak for themselves. I feel that the documentaries that I’ve been working on have been very valuable for the people, for our people to look at ourselves… and through that be able to make changes that really count for the future of our children to come.”

With a specially commissioned essay by Vanessa Onwuemezi.

Programme: 

Christmas at Moose Factory, dir. Alanis Obomsawin, Canada 1971, 31 mins.
Bloody Beans, dir. by Narimane Mari, Algeria/France 2013, 77 mins., French, Arabic with English subtitles 
The Machine That Kills Bad People is, of course, the cinema – a medium that is so often and so visibly in service of a crushing status quo but which, in the right hands, is a fatal instrument of beauty, contestation, wonder, politics, poetry, new visions, testimonies, histories, dreams. It is also a film club devoted to showing work – ‘mainstream’ and experimental, known and unknown, historical and contemporary – that takes up this task. The group borrowed their name from the Roberto Rossellini film of the same title, and find inspiration in the eclectic juxtapositions of Amos Vogel’s groundbreaking New York film society Cinema 16.

The Machine That Kills Bad People is held bi-monthly in the ICA Cinema and is programmed by Erika Balsom, Beatrice Gibson, Maria Palacios Cruz, and Ben Rivers.
 
Book tickets
06:30 pm
Tue, 20 May 2025
Cinema 1
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Cinema 1
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