Previously at the ICA - Films

Still The Water

BFI London Film Festival: Still The Water

12 Oct 2014

A film of magnificent natural beauty, Naomi Kawase’s Still the Water conjures words like majestic, mythical, eternal. Set on a tropical Japanese Island, home to families who have lived there for generations, teenage Kyoto is falling in love with Kaito, whom locals call ‘Tokyo boy’ (his father is a tattoo artist on the mainland, his mother a waitress). Kyoto’s beloved mother, a shaman, lies dying in the shade of their 400-year-old banyan tree, surrounded by extended family. Despite Kyoto’s grief, Kaito suffers more, cut off from history and meaning. Kawase’s film is rich with metaphorical imagery: a boy struggles up a hill on his bike; a goat is slaughtered in unemotional close-up; a mainlander washes up on shore and no one knows his name. The film asks if there is a good way to both live and die. And quietly, Kawase answers – yes. [Tricia Tuttle]

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