A newly commissioned composition by Egyptian musician and composer Maurice Louca, performed with a unique ensemble of experimental and improv musicians.

This new work builds on research conducted by Louca in Indonesia into gamelan percussion, particularly the saron – a form of xylophone that Louca tunes to play the traditional Arabic scale. The work reflects Louca’s interests in adapting instruments to play quarter tones, which lie at the centre of the Arabic maqam system of melodic modes.

This performance features members of one of the Arab world’s oldest improv bands, “A” Trio – renowned for their use of prepared classical Western instruments. Also joining the ensemble are cellist Anthea Caddy, harpist Kristine Kazarian, and Khaled Yassine on gamelan and percussion.

Performers:

Anthea Caddy: cello

Maurice Louca: gamelan/percussion

Kristine Kazarian: harp

Mazen Kerbaj: trumpet/electronics

Sharif Sehnaoui: acoustic guitar

Raed Yassin: double bass

Khaled Yassine: gamelan/percussion

Maurice Louca + Guests is a collaboration between the Institute of Contemporary Arts and Mophradat, and forms part of the Mophradat Consortium Commissions.