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Presented by writer Isabel Waidner, this evening of readings and discussion interrogates queerness and class in interdisciplinary writing and publishing in the UK, featuring presentations by Mojisola Adebayo, Ray Filar, Roz Kaveney, Huw Lemmey, and Kashif Sharma-Patel.
Departing from a new text by Waidner commissioned by the ICA on the occasion of I, I, I, I, I, I, I, Kathy Acker, Class, Queers and the Avant-Garde explores the ongoing marginalisation of interdisciplinary working class, LGBTQI+, Black and POC writers in relation to the historical elitism of the British publishing establishment. The rise of alternative publishing and community-building practices (e.g. The 87 Press, Team Angelica, Dostoyevsky Wannabe) which underpin the current moment will also be discussed.
Class, Queers and the Avant-Garde is specifically not about Kathy Acker. Arguably, we are currently seeing an unprecedented insurgence of marginalised writers making connections between literature, art, performance, critical theory, fashion and music, and queer, working-class and diasporic cultures and lives – this event is about them.
In conversation with cultural theorist Angela McRobbie at the ICA in 1987, Kathy Acker repeatedly referred to her status as an exception or token in British publishing: the one postmodernist avant-garde writer, the one writer connecting fiction with critical theory and subcultural contexts, the one transgressive allowed in at the time.
Did Acker-tokenism in the 80s and 90s enable the publishing establishment to give the appearance of risk-taking and inclusivity, rather than make the structural changes required to address its classism and normativity long-term?
This event forms part of the I, I, I, I, I, I, I, Kathy Acker programme.
07:00 pm
Thu, 23 May 2019
Theatre
£7 Full, £5 Concs.
Live recording:
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